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Swiss design studio NOV takes a sustainable and regenerative approach to the manufacturing process, through a constant dialogue between digital and intuitive. They have created a series of pieces that toe the line between handmade and digitally crafted, including modular carpets and 3D-printed latticed stools.
The collection presented at Alcova also includes Slittino, an indoor bench made of maple wood which is the result of a complementary manufacturing process: numerical tooling (CNC machining carried out by a cabinet-maker) and craftsmanship (preparation of solid wood boards, assembly with traditional wood joints, sanding and oil finishing).
“The nature of the 3D-printing process means that large quantities of SLS nylon powder is left as a by-product,” says Hot Wire Extensions, the Swiss sustainable design brand that has repurposed said waste to create a series of sculptural furniture inspired by the way vines grow around trees.
“An electric current is sent through the wire, causing the mixture to solidify around the form leading to endless possibilities in shape, scale and possible application,” it explains. “The process seamlessly binds materials, turning transient lines into durable, organic and bone-like structures.”
Designed by Mira Bergh and Josefin Zachrisson, Seats is a furniture collection characterised by its repetitive construction and durable material choices. The three-part system consists of a sofa, bench and stool, produced in Markaryd, Småland and made of mostly recycled Swedish steel.
With no obvious front or back, the collection was inspired by the flexibility of public spaces in which it was intended. Meanwhile, the slinky-like form of the collection is intended to minimise its presence. Every piece features a modular design and can be integrated with each other to meet the functional and aesthetic needs of the location.
Italian start-up Potemine has designed Alis, a portable lighting series that combines the latest Internet of Things technologies and a multifunctional design. The app-controlled design enables users to control its functionality with simple gestures.
An advanced accelerometer transforms movements on either side of the lamp to adjust the brightness. Meanwhile, a series of accessories and a patented mechanism turns Alis into a wall, floor or desk lamp, as a “one light fits all” system whilst reducing the number of necessary devices in space.
This lighting centerpiece is made from 290 face cream containers. Berlin-based design duo LLOT LLOV worked with German cosmetics company Cosnova Beauty to source the containers and upcycling platform Trash2Treasure on the project, which demonstrates the potential of waste in the beauty industry.
“The transformation into something new shows that things that we would otherwise throw away are not only valuable in the context of the circular economy,” says the studio.
Finally, an installation configured as a large three-dimensional herbarium inspired by A Clockwork Orange. The project was born from research by the students of HEAD – Genève and conceived in collaboration with architect and designer India Mahdavi.
For two years MAIA (Master of Arts in Interior Architecture) students have been developing their own “Herbarium of Interiors”, revisiting several iconic interiors under the curatorship of Mahdavi. Case study #2 is the Milk Bar inspired by the iconic Korova Milk Bar from Stanley Kubrick’s 1971 cult film.