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The ‘80s are the years of the excesses: Driade introduces pieces that wink at the eighteen-century opulence, starting with Alessandro Mendini’s Sabrina chair.
Named after the popular movie, this strong and distinctive chair created in 1982 is a reinterpretation of the ‘bergère’, with a wooden structure and a typical velvet cover.
In the same year, another great Italian master designs one of Driade’s iconic pieces. Achille Castiglioni, a functionalist poet of design, creates for Driade the Sancarlo armchair, whose ergonomic seatback conformation features original padding volumes reminding the seat of a racing car.
During the ‘80s Driade takes an international turn: among the other talents discovered by Enrico Astori, a young Philippe Starck in 1984 designs his Costes chair, starting a long-lasting collaboration with Driade that will lead to other renowned creations, as the Lou family of armchairs (2011-2017).
The acronym ‘MT’ that defines Driade’s third Compasso D’Oro, received in 2008, in English is pronounced ’empty’, and emptiness really is the key element of this incredible project: Ron Arad MT3 rocking chair is the result of a long industrial study on rotational molding technology.
In 2010 Fabio Novembre designs for Driade the suggestive Nemo armchair, an intense representation of a mask that hides and at the same time reveals the inhabitant of this iconic piece.
Less than ten years later, as a result of an intense, long-lasting collaboration with the brand, Novembre will become art director of the company that shares with him the ability to be a trendsetter and a passionate lover of beauty: Driade.