Studio Naomi Remijn

WALL LIGHT 3 – Naomi Remijn introduces lighting pieces in her collection 0118, drawing inspiration from the traditional smocking techniques found in Walcheren's Zeeland folk costumes, particularly around the neck. This craftsmanship is mirrored in her lighting designs, where the play of light through handcrafted tapestries brings out the textures. The light illuminates the fibers of the felt, creating a captivating gradient effect as it fades. The collection debuts with two products: the 0118 Floor Lamp and the 0118 Pendant Light, both featuring a 120cm tall shade that can be suspended from the ceiling or attached to a metal base.

WALL LIGHT 2 – Naomi Remijn introduces lighting pieces in her collection 0118, drawing inspiration from the traditional smocking techniques found in Walcheren's Zeeland folk costumes, particularly around the neck. This craftsmanship is mirrored in her lighting designs, where the play of light through handcrafted tapestries brings out the textures. The light illuminates the fibers of the felt, creating a captivating gradient effect as it fades. The collection debuts with two products: the 0118 Floor Lamp and the 0118 Pendant Light, both featuring a 120cm tall shade that can be suspended from the ceiling or attached to a metal base.

PENDANT LIGHT – Naomi Remijn introduces lighting pieces in her collection 0118, drawing inspiration from the traditional smocking techniques found in Walcheren's Zeeland folk costumes, particularly around the neck. This craftsmanship is mirrored in her lighting designs, where the play of light through handcrafted tapestries brings out the textures. The light illuminates the fibers of the felt, creating a captivating gradient effect as it fades. The collection debuts with two products: the 0118 Floor Lamp and the 0118 Pendant Light, both featuring a 120cm tall shade that can be suspended from the ceiling or attached to a metal base.

FLOOR LAMP – Naomi Remijn introduces lighting pieces in her collection 0118, drawing inspiration from the traditional smocking techniques found in Walcheren's Zeeland folk costumes, particularly around the neck. This craftsmanship is mirrored in her lighting designs, where the play of light through handcrafted tapestries brings out the textures. The light illuminates the fibers of the felt, creating a captivating gradient effect as it fades. The collection debuts with two products: the 0118 Floor Lamp and the 0118 Pendant Light, both featuring a 120cm tall shade that can be suspended from the ceiling or attached to a metal base.

ROOM DIVIDER – The collection 0118 also features a room divider, inspired by the traditional smocking found on the necklines of Walcheren's Zeeland folk costumes. Traditionally, women wearing these costumes adorned themselves with a meticulously ironed 'beuk'—a garment piece covering the chest. This artisanal detail is replicated in the room divider's design. The largest wall hanging, Wave Nr.1, is designed to be suspended from the frame, serving as a room divider. This piece introduces an interactive element, allowing for a choice between displaying the usually showcased wave pattern or opting for the side that reveals exquisite stitching. In this debut model, the stitching is accentuated with a lustrous royal blue thread, adding a touch of elegance.

ROOM DIVIDER (detail) – The collection 0118 also features a room divider, inspired by the traditional smocking found on the necklines of Walcheren's Zeeland folk costumes. Traditionally, women wearing these costumes adorned themselves with a meticulously ironed 'beuk'—a garment piece covering the chest. This artisanal detail is replicated in the room divider's design. The largest wall hanging, Wave Nr.1, is designed to be suspended from the frame, serving as a room divider. This piece introduces an interactive element, allowing for a choice between displaying the usually showcased wave pattern or opting for the side that reveals exquisite stitching. In this debut model, the stitching is accentuated with a lustrous royal blue thread, adding a touch of elegance.

WALL OBJECTS - WAVE n. 001 – In the traditional Zeeland folk costumes from Walcheren, smocking around the neck was a common feature. Women who donned these traditional outfits exclusively wore them for daily activities, often complementing them with a meticulously ironed 'beuk'—a garment piece specifically designed to cover the chest. This artisanal detail significantly enhances the value of the attire. In my art pieces, I emphasize this technique by magnifying these details, showcasing the intricate craftsmanship involved.

WALL OBJECTS - WAVE n. 001 – In the traditional Zeeland folk costumes from Walcheren, smocking around the neck was a common feature. Women who donned these traditional outfits exclusively wore them for daily activities, often complementing them with a meticulously ironed 'beuk'—a garment piece specifically designed to cover the chest. This artisanal detail significantly enhances the value of the attire. In my art pieces, I emphasize this technique by magnifying these details, showcasing the intricate craftsmanship involved.

WALL OBJECTS - SETTING n. 003 – In the traditional Zeeland folk costumes from Walcheren, smocking around the neck was a common feature. Women who donned these traditional outfits exclusively wore them for daily activities, often complementing them with a meticulously ironed 'beuk'—a garment piece specifically designed to cover the chest. This artisanal detail significantly enhances the value of the attire. In my art pieces, I emphasize this technique by magnifying these details, showcasing the intricate craftsmanship involved.