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There’s a lot to deconstruct here, starting with Forest highlighting the strength of local production in Chiayi, a city which is often referred to as “Wood City” on account of its flourishing forestry industry. It’s thanks to its work with major players within the industry that Hsiang Han Design has been able to realise both collections.
From a design perspective, both the Forest & Soul collections are visually striking. The tree-like organic forms of Forest make for strong storytelling design that underlines the material’s sustainable origins.
Meanwhile, Soul demonstrates how scrap wood can be used in an unconventional way. We particularly like how the series of decorative glass plates captures their texture as a way of highlighting the value of waste materials.
Find out more about the ingenious ways designers are tackling waste, don’t miss A chair made from 20KG of plastic waste found in Indonesia.