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One of these professionals was Ivan Calimani, an engineer and an architect passionate about new biomaterials, who entered the scene of our story in 2018.
Ivan had already invented and experimented with a material developed from potato peels, but he wasn’t a maker and lacked design specific skills that the duo already had.
Ever looking for circular solutions, the trio decided to couple Ivan’s knowledge on biomaterials and Martina and Yack’s expertise in 3D printing to create a new business.
They called it Krill which is an ocean shrimp living in the ocean: tiny, but fundamental for the ecosystem and living in colonies.
Krill – that was totally self-financed – would make home products using food waste that people would love. They would make them locally upon request, using 3D printing facilities located in different places (like colonies), to reduce investments to a minimum.
The business plan was efficient: 3D printing logistics is easy and it’s the ideal production process for a scalable project.
You can start in a very small space, with just a few machines. And then you may ideally grow to a very big and diffused production hub.
The first invention used the biomaterial that Ivan had been studying: a potato peel-based bioplastic.
It never worked out: the trio was lacking the chemical knowledge to make it function.
Their big idea was to use PLA, a biodegradable bioplastic mixed with homogeneous food waste.
The long term approach is to move on at a later stage to use polyester polymers produced by the fermentation of sugars or lipids derived entirely from organic waste.
Why? Because PLA uses actual food to be produced (which is in itself a waste, considering the food issues the global population faces) and it’s not compostable unless placed in an industrial composting facility at specific temperature and humidity.
But the passage is not as easy as it seems.
Krill Design started showing off their approach and materials research and during a presentation at an innovation fair they were noticed by Autogrill Spa, the main restaurant chain of Italian national highways.
Being actively searching for ways to be no waste, Autogrill proposed to Krill Design to develop their material using orange juice waste which its bars and restaurants produce in big quantities.
Orange juice waste is perfect to be reused: it’s easy to recover, as juicers automatically store it in their containers. And it’s collected without getting mixed with other materials.
Krill Design worked on their bioplastic production process with Autogrill’s support and, through heavy experimentation, were finally able to create a stable material for use.
The first Autogrill commissioning was a very simple sugar holder made out of a mix of orange peels and natural bioplastic.
Krill Design provided 3000 Autogrill bars and restaurants with a product that actually came from its ordinary waste.
What makes the Krill Design story so unique is that they didn’t just use a one-off material to make a stunt project but used the opportunity that Autogrill offered them to develop a process that can produce a usable bioplastic from any homogenous food waste.
The chemical solution for a stable and rational material came from Marco Benedetti, a chemist and a biomaterial specialist who bumped into Krill Design during the Milan social innovation and green fair Fà la cosa giusta.
Another karmic encounter which resulted in the actual production process of Rekrill, a material that may be ideally composed of any kind of homogenous food waste.
The production process:
Rekrill is very resistant, although its mechanical characteristics change according to the different raw materials.
It is not suitable for food contact. But it’s biodegradable, which means that it decomposes completely like any organic waste. This is the main difference between eco compatible materials and biomaterials: the latter act like any organic thing. It simply melts if left in a natural environment thanks to the action of mold and fungi.
Krill Design nowadays is thriving thanks to a simple B2C business plan that involves the collaboration of brands which are able and want to provide homogene food waste. Clients are the raw material providers and commission Krill Design products according to their peculiar needs.
The aim usually is to integrate food waste reuse in brands’ ecological transition. After Autogrill, Cimbali, Sanpellegrino, Enel, Lurpak, Nestlé and others collaborated with Krill Design to develop products on an on-demand B2B basis.
Their proposal always aims to work on a circular economy frame, so the pluses concern the reuse of an already existing material to create new products.
That means:
it’s better to reuse than to simply get rid of bio waste, because even the process of biodegradation creates a considerable carbon imprint.
The output consists in the development of a reformulated Rekrill, produced each time with a different food waste, according to the specific bio waste of each brand.
Krill Design then works on creating a product or a collection of products designed for 3D production and based on the client’s expectation and demands. Meanwhile Krill Design has been using B2C projects to finance its R&D area and create its own collections.
Design, together with engineering and managing competencies, was the main ingredient of the brand’s growing financial success.
Krill Design thrives on the demands of companies in need to pass from a traditional management to a more ecological one using smart, flexible and economic solutions. What they really need is research-driven design work.
The process leading Krill Design to a rational reuse of waste in a circular program is
strategically driven by research and a try and error attitude that doesn’t dismiss restarts.
All of this has been made easy by Krill Design owning all the design process so as to create products that respond to good design imperatives: rationality, aesthetics and an unexpected twist.
Right now the company is producing three collections, based on different raw materials, coffee, orange peels and lemon peels: Ribera, Napoli and Amalfi.
They all have a strong aesthetic identity, along with the peculiarity of the materials. They speak loud and clear about a new kind of online Millennial consumer: a design and eco-centered one in search of products able to respond to a pragmatic and honest desire for change.