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Because the collection is made with batches of different coloured production waste, each chair features an unexpected pastel-coloured gradient too. As for adhesives, resins and any other additional finishings, The New Raw avoided all of them to make recycling the chair as easy as possible at the end of its life.
This creates what the studio describes as “an infinite loop of plastic waste”, allowing the material to be used again and again as long as it doesn’t degrade in quality over time.
Furniture created from food and rubbish is on show at The Design Museum in London in its exhibition “Waste Age”.
The Ermis Chair is exemplar of The New Raw’s commitment to sustainability through additive manufacturing and repurposing plastic waste.
“As creatives, we wanted to discuss this issue in a positive approach,” said founders Panos Sakkas and Foteini Setaki when we interviewed them in 2020.
“by suggesting a new way of thinking regarding materials and their applications and also exploring what design can do for the environment.”
This project responds to a need across the design industry for circular economics by underscoring the potential of 3D printing, which is exciting for a number of reasons.
Not only does it cut down on waste by fabricating items precisely but it also offers extensive opportunities for upcycling by way of reusing old materials or adding new parts to existing products.
Read The New Raw explaining in their own words some of the techniques behind turning plastic waste into furniture with 3D printing.