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Like Sodium Carbonate in the traditional production of glass, Potassium Carbonate acts as a flux, lowering the high melting point of the main glass forming constituents, usually silica and alumina, which is used to prevent crystallisation. When experimenting with the material, Peirotén also discovered that it creates intense color tones that give the glass a unique character.
Meanwhile, ground seashells are used to give the glass its usual hardness, taking the place of calcium carbonate, which is usually mined from limestone using energy intensive processes. In the end, only the sand remains, which has to be bought in.
Once melted, the glass is in an endless recycling cycle with no by-products or waste. “It can be used again and again, or it can be ground to sand again,” says Peirotén. “So it can be given back into nature if the ingredients are harmless.”
Taiwanese HSIANG HAN DESIGN created multilayered installations with recycled glass transformed into natural forms: explore the Glass in Nature exhibition.
The discussions around glass and its impact on the planet are intensifying. Last month we published a project by Snohetta and Studio Plastique, which highlighted the scarcity of sand, which is one of the key components in the production of glass.
Studio Peipei might not tackle that ingredient but it does propose solutions to its other, energy-intensive components. Peirotén has taken underexplored waste streams and found a clever solution with wide-ranging applications in these glass vases. Here, it is demonstrated with vases but the possibilities extend beyond that.
About recycling glass with style… Object Density repurposes imperfect lenses to create lighting that celebrates their unique distortive qualities.