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At 950°C, clay and lava are transformed, fusing as the material takes on new forms and vibrant colours. The starting point for each design is what Ninefifty describes as ‘the mark’ “This is the starting point for the whole design process—the exploration of the mark,” they explain. “The way it takes form freely on the surface through the intervention of the human hand, an act that is never the same twice and that makes each piece unique.”
This drives the study and reinterpretation of ancient methods, from pounding with powder to sgraffito and incisions, which gives rise to primeval and primitive marks – such as lines and circles – that evoke the earliest symbolic systems.
The city’s flourishing EDIT Napoli design fair returned for the third year and we were there: here’s the highlights from the 2021 edition.
A collection of terracotta tiles offer a white canvas, decorated with opaque glazes and glossy ceramic stains that are prepared with pigments and applied by brush. Meanwhile, lava stone designs are intentionally left cold and bare if not marked with a minimal imperfection or geometric pattern using a comb, brush or by hand.
Ninefity’s catalogue also includes more graphic designs like the Alfabeto collection, which abstracts figurative forms into pure signs, and geometric shapes with saturated tones.
There’s a reason decorative tiles have been around for thousands of years. Ninefifty’s offering is extremely comprehensive, demonstrating its limitless potential when it comes to design and expression.
We discovered the brand at Edit Napoli earlier this year and were fascinated by their origin story, inspired by the millennia-old traditions of the Caltagirone area, a city renowned for the production of artistic ceramics, and which is part of a UNESCO World Heritage Site—all adding to the rich beauty of their collection.
Presented at EDIT Napoli 2021, Elena Salmistraro pays tribute to the Mediterranean with her latest collection for Lithea.