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The turning process that followed created a contrast between the newly revealed, natural colour of the rounded ash wood and the flat, black sections of the untouched beam. The final, totem-like appearance of the collection is the result of experimentation. “I eventually developed patterns inspired by different tools and by choosing to go deep into the wood or not,” he explains. When Boersma is happy with the shape, he applies a discreet varnish to protect the surface without altering the colour.
The time it takes to create each piece depends on the size of the wood. Objects that require narrower pieces are quicker to produce because there is less preparation before turning, whereas pieces that are wider than 6cm require Boersma to glue a number of ash wood planks together. This is to prevent the wood from tearing, which he says is more likely because the rectangular shape of his designs requires a lot of isolated cuts to the surface rather than a continuous process of chiselling.
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“The love for the dying craft of wood turning, in the Netherlands, is what has shaped this series and the tools traditionally used in turning have inspired the designs,” says Boersma. At present, Boersma’s process involves creating decorative vessels without a specific function in mind, although some pieces have naturally developed to become candlesticks and vases.
After exhibiting his pieces during Dutch Design Week in October, he says he received a lot of interest from people who wanted to see the pieces in different colours. His plans are to experiment with natural ways of altering or accentuating the natural surface of the wood.