
Join our Newsletter
Every week, get to know the most interesting Design trends & innovations
Michael Anastassiades, a London-based designer, has built a reputation through his collaborations with major design brands like Flos, B&B Italia, Cassina, and Herman Miller. His approach revolves around the rigorous use of basic geometric shapes, subtly enhanced by calculated structural elements.
A perfect example is the IC collection for Flos. This series merges fundamental geometric forms – such as spheres – with precise balancing techniques. The result is a collection that feels both familiar and unexpected, playing with our innate recognition of symmetry and balance. It’s this ability to subtly manipulate visual memory that makes his work so unforgettable.
Philippe Starck is arguably the most influential designer of the last three decades, and his success is no accident. To understand his impact, we can look at one of his most iconic creations: the Louis Ghost chair.
Designed for Kartell in 2002, this chair revolutionized the furniture industry by introducing polycarbonate as a viable material for seating. However, Starck’s genius lies not just in material innovation but in his decision to reinterpret a historical icon – the classic French monarchy-style chair. By merging a familiar shape with groundbreaking technology, he created an object that resonated deeply with the public, balancing nostalgia with modernity. The result? A timeless design that continues to inspire countless variations of other designers and companies
In a previous article, I described Marcantonio as a maximalist minimalist – a provocative yet fitting definition. His work, much like Starck’s, plays with familiar references, but with an even more whimsical approach.
Take Giraffe in Love, for instance. In this product, edited by Qeeboo, Marcantonio replaces a conventional lamp stand with an actual giraffe. The result? A functional object that feels entirely surreal yet strangely logical. A giraffe is tall, stable, and visually striking – why wouldn’t it hold a chandelier? This unexpected yet oddly fitting twist creates a sense of wonder, ensuring that the design remains etched in our memories.
The Vegetal chair, designed by Ronan and Erwan Bouroullec for Vitra, was an immediate success upon its release. Although no longer in production, it left a significant mark on the design world and could be spotted even in unexpected places like McDonald’s flagship locations in major cities.
This chair broke conventional furniture design rules by introducing an intricate, organic structure inspired by tree roots. What made it so powerful was the way the Bouroullec brothers translated a complex, almost chaotic form into something recognizable and understandable. By referencing natural growth patterns, they made an otherwise abstract design feel intuitive – bridging the gap between the unfamiliar and the familiar.
If we draw a common thread between these designers, we see a clear pattern: they innovate with confidence and precision while ensuring their creations remain accessible to the public. Their designs invite us on a journey of discovery without overwhelming us, offering a comfortable entry point into new visual experiences.
And while these names have already left their mark, countless emerging designers are shaping the future of design theory. Figures like Mario Tsai, Michel Charlot, and Paul Cocksedge are pioneering new approaches, and their work is worth keeping an eye on.
At DesignWanted, our goal is to continue exploring these evolving theories – because the next unforgettable design may already be out there, waiting to be discovered.
Open full width
Close full width